Pasolini (2014)
Pier Paolo Pasolini is fifty-three, and lives in the rowdy Rome of the 1970s. He has just finished shooting his latest film Salò, or the 120 Days of Sodom, a film that has shocked both critics and audiences. Pasolini is increasingly opposed by the people, critics and politicians, both for his homosexuality, and because he is considered impulsive and scandalous in showing his reality to the public. Pasolini is going to shoot a new film (which was never made), in which he cast Eduardo De Filippo and Ninetto Davoli – with whom he has a special relationship. While Pasolini is working on the film, his mother and his sister try to dissuade him from the project, because it would be too wild and visionary for the Italian public to accept.
Pasolini continues with his work, missing many interviews with journalists. He begins a relationship with a boy from the suburbs of Rome, Pino Pelosi, and takes him to a restaurant in the seaside village of Ostia. Pasolini wants to be with him in a loving relationship, but the boy gets mad at him, attacking him and some other companions. Pasolini is later beaten up and then run over with his own car. In the days following, the press says Pasolini’s murder was politically motivated by the police and those whom the poet had always loved and immortalized in his works.
Date of download: 2015-11-11T17:22:34+00:00
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Pier Paolo Pasolini is fifty-three, and lives in the rowdy Rome of the 1970s. He has just finished shooting his latest film Salò, or the 120 Days of Sodom, a film that has shocked both critics and audiences. Pasolini is increasingly opposed by the people, critics and politicians, both for his homosexuality, and because he is considered impulsive and scandalous in showing his reality to the public. Pasolini is going to shoot a new film (which was never made), in which he cast Eduardo De Filippo and Ninetto Davoli – with whom he has a special relationship. While Pasolini is working on the film, his mother and his sister try to dissuade him from the project, because it would be too wild and visionary for the Italian public to accept.
Pasolini continues with his work, missing many interviews with journalists. He begins a relationship with a boy from the suburbs of Rome, Pino Pelosi, and takes him to a restaurant in the seaside village of Ostia. Pasolini wants to be with him in a loving relationship, but the boy gets mad at him, attacking him and some other companions. Pasolini is later beaten up and then run over with his own car. In the days following, the press says Pasolini’s murder was politically motivated by the police and those whom the poet had always loved and immortalized in his works.